This presentation analyzes the convergence of digital cinema and AI as a fertile ground for a new Nouvelle Vague in filmmaking. As we teeter on the brink of a technological revolution, there lies the potential for a resurgence of expressive filmmaking.
AI represents a paradigm shift akin to historical advancements like the advent of faster 16mm film for the Nouvelle Vague or DV cameras for Dogma95, catalyzing innovation among filmmakers. These AI tools redefine filmmaking processes, hinting at a transformative era of expressive cinema and amplifying diverse voices, including those of minorities.
Film schools are pivotal in this evolution, nurturing emerging filmmakers through the exploration and implementation of AI tools. We’ll analyze strategies for integrating emerging technologies into curriculum design with specific attention to the evaluation of student work in light of AI assistance. Ethical considerations, assessment methodologies, and best practices for ensuring academic integrity.
We will explore a case study of Machine for the Aura, a micro-budget drama which received international acclaim at the Beijing International Film Festival and Warsaw International Film Festival. It explores the boundaries of scientific academia and the struggles of a female researcher. This film, enhanced by AI tools in post-production showcases the potential of AI in shaping impactful cinematic narratives.
Bios
Nahuel Srnec is a film director, producer, cinematographer and professor working with AI in postproduction. He is a DaVinci Resolve Training Partner, and a full member of Colorist Society International and ADF. Several of his works were awarded at numerous festivals. Nahuel has taught classes in ENERC INCAA, UBA and UADE in Argentina, The Core School in Spain, Columbia University in Paraguay, Blackmagic Design in the USA, and the Unreal Engine Official Trainings.
Ana Laura Monserrat is an Argentine filmmaker, educator, and interdisciplinary researcher. Graduated from ENERC (National School of Filmmaking), she also has extensive experience in educational consulting for the Ministry of Education in Argentina. Holding a Ph.D. in Biology, her scholarly pursuits delve into the intersection of film studies and environmental discourse. Currently, she serves as an Executive Producer at NSfilms and shares her expertise as a dedicated instructor at ENERC and ETER.
